Here it is, Ben Johnston’s Quintet for Groups, as it was played live at the 2008 Donaueschingen Festival.
Enjoy!
Listen to Quintet for Groups
Dissonance/Consonance, part five
I remember thinking, as I watched the rehearsing orchestra players and conductor react to the music and to each other, that a very positive atmosphere was growing among all the participants; and this clearly spread to the concert hall staff, as they assisted in helping us composers know how we should proceed when receiving the [...]
Dissonance/Consonance, part four
The next events were focused on the final rehearsal followed a day later by the performance of Quintet for Groups. The first move in this direction was locating me where I could communicate back and forth with the conductor. The obvious choice, the first row of seats, was occupied by ticketed audience members, who clearly [...]
Dissonance/Consonance, part three
Even at rehearsals seats were reserved. At one such time there were three of us in wheelchairs and we were all asked to locate as near the left rear entrance to the concert hall as possible but without (1) blocking the aisle, (2) hindering audience members from coming and going to their ticketed seats, (3) [...]
Dissonance/Consonance, part two
Following the Boulez keynote concert, changing my relationship to that was a challenge as the series of Donaueschingen Festival Events unfolded. I was much aware that active participation by me, with Marc Sabat’s help and my son Ross’s increasingly great participation was an essential first step. We made sure we were, notwithstanding my need to [...]
Dissonance/Consonance, part one
Wasn’t dissonance emancipated ?
Emancipation should mean freedom from boundaries, no hierarchy : simply equality. Instead it too easily comes to mean something quite unlike that : an enforced equality. At the onset of the 20th centurt Arnold Schoenberg fought that fight but it’s not settled yet. I doubt if I can settle it either, but [...]
Quintet for Groups in Donaueschingen
The first event I was asked to be sure to attend was a concert composed and conducted by Pierre Boulez. I certainly would have wanted to attend this concert even without being specifically reminded to be there, but I clearly understood that as a composer represented on the orchestra concert my presence at this opening [...]
Quintet for Groups in Donaueschingen and Berlin
Premiered in 1967 by the St. Louis Symphony orchestra, Eleazar DeCarvalho conducting, Quintet for Groups emerged an imperfect and highly controversial work whose compositional basis, related to but distinctly different from Stockhausen’s Gruppen ( which at that time I had never heard nor seen) was using a large group (the entire orchestra) as the interaction [...]
Quintet for Groups: